Saturday Night Cinema: Battleship Potemkin

Battleship Potemkin is the classic masterpiece silent film from director Sergej Eisenstein from 1925. The film is based on the true events of the Russian Revolution of 1905. The film had an incredible impact on the development of cinema and was a masterful example of montage editing.

Essential cinema! This film is indeed a knockout, and is considered the best and most brilliant of the Soviet silent film era. Film critic Philip French said of it, “Potemkin is a vital viewing experience that transcends its landmark/milestone status.” Eisenstein’s film still has a hypnotic urgency.

Review Summary

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After the success of Strike (1924), Sergei Eisenstein was commissioned by the Soviet government to make a film commemorating the uprising of 1905. Eisenstein’s scenario, boiled down from what was to have been a multipart epic of the occasion, focussed on the crew of the battleship Potemkin. Fed up with the extreme cruelties of their officers and their maggot-ridden meat rations, the sailors stage a violent mutiny. This, in turn, sparks an abortive citizens’ revolt against the Czarist regime. The film’s centerpiece is staged on the Odessa Steps, where in 1905 the Czar’s Cossacks methodically shot down rioters and innocent bystanders alike. To Eisenstein, this single bloody incident was the crucible of the successful 1917 Bolshevik revolution, and the result was the “Odessa Steps sequence,” which is often considered the most famous sequence ever filmed; it is certainly one of the most imitated, perhaps most overtly by Brian De Palma in The Untouchables (1987). This triumph of Eisenstein’s “rhythmic editing” technique occurs in the middle of film, not as the climax, as more current film structure might do it. All the actors in the film were amateurs, selected by Eisenstein because of their “rightness” as types for their roles. Pictorial quality varies from print to print, but even in a duped-down version, Battleship Potemkin is must-see cinema. ~ Hal Erickson, Rovi

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