We see this sharia-dictated nonsense in the sciences too. Islamic revisionism has made its way into some of the most respected museums and libraries in the Western world.
Does this exhibit explain how the Islamic influence on Western art was severely limited by the fact that Sharia forbids representation of the human form? Or would that reflect negatively upon Islam and Sharia, and so is forbidden to be stated? Will the British Museum host an exhibition on how Western art influenced the Islamic world, a topic about which there is a great deal that could be said, ranging from the cultural appropriation of Byzantine church architecture to the stylistic similarities of Shi’ite iconography to Western art? The answer to both questions is “of course not.” This is just another example of the British intelligentsia’s ongoing efforts to compel Britons to be ashamed of their own culture and heritage, and to think of Islamic culture as antecedent and superior to their own. It’s just more of Britain’s ongoing cultural suicide.
“Exploring the influence of Muslim culture on the West,” by Gavin O’Toole, Al Jazeera, October 13, 2019:
London, United Kingdom – A 19th-century painting of a harem by European artist Antoine-Ignace Melling has been animated, subverting the depictions of the women within, from passive subjects of erotic fantasy to drab creatures engaged in jerky, repetitive movements reminiscent of a cuckoo clock.
This is contemporary Turkish artist Inci Eviner’s reimagining of a “classic” portrayal of an Ottoman harem and its message is serious. Art from the Middle East is outgrowing its “Orientalist” straitjacket.
Her work is part of a major exhibition in London’s British Museum called Inspired by the East, that explores the significant – yet often unacknowledged – influence of Eastern culture on the West.
“Discover centuries of art inspired by the Islamic world,” the museum promises visitors.
Co-curator Julia Tugwell said there has been a resurgence of interest in Orientalist work after it fell out of fashion for years, and she hopes the exhibition can help to reduce barriers thrown up by politics.
“People might forget that there has been an exchange between East and West for centuries, much longer than we think and while, of course, some of that has been warfare, a lot of it has been diplomatic relations and artistic exchange.
“Looking at this through an artistic medium and showing how there has been this interest in the ‘other’ from both directions over the years shows that there has been an ongoing dialogue.”
Organised in collaboration with the Islamic Arts Museum Malaysia, the exhibition traces Western fascination with the Eastern and Muslim world since the medieval era….
Catherine Futter of the Nelson-Atkins Museum of Art in Kansas City, who contributed to the exhibition’s catalogue, said Islamic influence in European design endures.
“We still see Islamic arches and patterns incorporated into architecture and perhaps we see them so often they seem part of our currency and we have forgotten their sources – whereas in the 19th century they would have seemed far more unusual.
“One of the things that is exciting about this exhibition is that it is highlighting that important contribution to art, culture, science and technology made by the Islamic world.”…
Egyptian-British artist Iythar, who lives in London, said the exhibition could not have come at a better time amid rising anti-Muslim sentiment.
“This is very important and should have been done sooner because it helps people see the positive impact Islam has had in the world – not just in art but culture in general.
“Many people only choose to listen to what they hear in the media and don’t know anything about Islam, so when they go to an exhibition like this and appreciate the benefits of the Islamic culture, it fosters tolerance.”
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