News Ticker >
[ November 18, 2019 ]

Day 4: #Iran rocked by MASSIVE PROTESTS as images of Khamenei set on fire and...

[ November 18, 2019 ]

Labour Election candidate ran secret Facebook group which advises party ‘Holocaust deniers’ how to beat...

[ November 18, 2019 ]

Terror-Tied CAIR Demands Henry Ford Professor Be FIRED for “Islamophobia”

[ November 17, 2019 ]

WATCH Mother of Jihadi: “I take great pride in my son” cutting off and publicly...

[ November 17, 2019 ]

On Behalf Of Master Sgt John Hatley and Sgt Derrick Miller, Please Help

[ November 17, 2019 ]

SHOCKING VIDEO: Conservative Students Harassed And Intimidated By Leftist Student Mob

[ November 17, 2019 ]

Russian media: 2020 election will cause an American civil war

[ November 17, 2019 ]

AG William Barr: Democrats Are ‘Sabotaging’ Trump Administration

[ November 17, 2019 ]

Muslim Teen who Egged Brooklyn Synagogue Busted on Hate Crime Charges

[ November 16, 2019 ]

Saturday Night Cinema: Deadline — U. S. A.

Saturday Night Cinema: To Catch A Thief


Tonight’s Saturday night Cinema classic is quite the departure from Hitchcock, Master of Suspense — actually suspense is too limiting, Hitchcock is the Master.

To Catch a Thief is the direct opposite of, say, Psycho. It is a wonder both these films emerged from the same mind. But then , he’s the Master.

To Catch a Thief is light and clever, sexy and sophisticated, full of sunny innuendo. It doesn’t take itself seriously for a moment. It’s gorgeous, visually dazzling.

“It may occasionally be guilty of coasting on pure charm, but To Catch a Thief has it in spades — as well as a pair of perfectly matched stars in Cary Grant and Grace Kelly. The two seductive stars playing cagey characters who play at romance with all of their charm.”

A bubbly and effervescent Alfred Hitchcock romantic-suspenser that finds the Master in a relaxed and purely entertaining mood.

Screen: Cat Man Out ‘To Catch a Thief’; Grant Is Ex-Burglar in Hitchcock Thriller

By Bosely Crowther, New York Times archived pages August 5, 2018:

IT takes a thief to catch a thief. That’s the old saying, anyhow. And that’s the thesis Alfred Hitchcock is exhibiting in his new mystery-thriller-romance at the Paramount. With Cary Grant playing the catcher and Grace Kelly playing—well, we won’t say!—”To Catch a Thief” comes off completely as a hit in the old Hitchcock style.We’re not saying much about Miss Kelly, other than to observe that she is cool and exquisite and superior as a presumably rich American girl traveling with her mother in Europe in quest (her mother says) of a man. To say more might tip you as to whether she is what you suspect her to be—the jewel thief whom Mr. Grant is stalking through the lush gambling-rooms and gilded chambers of French Riviera villas, casinos and hotels.As a matter of fact, we shouldn’t even tell you that you may rest entirely assured Mr. Grant himself is not the slick cat-burglar he says he is out to catch, as a matter of self-protection and to help an insurance man from Lloyds. What with his being an acknowledged old gem thief, living in a villa high above Cannes and chumming with a covey of ex-convicts, he could be almost anything.Well, he isn’t the thief. That much we’ll tell you. He’s the fellow who genuinely tries to use his own knowledge of cat-burglary to nab the thief who has been terrorizing Cannes and causing hysterics and conniptions among the always ineffectual police. But then there are enough other suspects — ex-convicts, French thugs and pretty girls, not to mention that nervous Lloyds fellow—to let us write off Mr. Grant.In his accustomed manner, Mr. Hitchcock has gone at this job with an omnivorous eye for catchy details and a dandy John Michael Hayes script. Most of his visual surprises are gotten this time with scenery—with the fantastic, spectacular vistas along the breath-taking Cote d’Azur.As no one has ever done before him, Mr. Hitchcock has used that famous coast to form a pictorial backdrop that fairly yanks your eyes out of your head. Almost at the start, he gives you an automobile chase along roads that wind through cliff-hanging, seaside villages. The surprise is that it is seen from the air! If you have ever been on the Riviera, you can imagine how brilliant this is, in color and VistaVision, splashed on that giant screen.All the way through the picture, he gets this sort of thing — shots from great heights down yawning chasms, glimpses of ruins high on hills, views across Mediterranean harbors and, usually, in the background, the blue sea. And he winds up with a surge of production—a costume party at a villa outside Cannes—that should make the Marquis de Cuevas turn green.True, there are times when the color is not Iways so good as it should be, and Mr. Hitchcock’s camera man (or somebody) has a bad time with slow dissolves and fades. He has not mastered VistaVision. It has almost mastered him.But the script and the actors keep things popping, in a fast, slick, sophisticated vein. Mr. Grant and Miss Kelly do grandly, especially in one sly seduction scene. If you’ve never heard double-entendre, you will hear it in this film. As the chap from Lloyds, John Williams is delightfully anxious and dry, and Jessie Royce Landis is most amusing as Miss Kelly’s low-down American mom. Brigitte Auber is fetching and funny as a frightfully forward French girl, and Charles Vanel has the air of a rascal as a local restaurateur.”To Catch a Thief” does nothing but give out a good, exciting time. If you’ll settle for that at a movie, you should give it your custom right now.

Danielle . . . . . Brlgitte Auber
Foussard . . . . . Jean Martinelli
Germaine . . . . . Georgette Anys
Claude . . . . . Roland LesaffreMercier . . . . . Jean Hebey
Lepic . . . . . Rene Blancard
Big Man in Kitchen . . . . . Wee Willie Davis

The Truth Must be Told

Your contribution supports independent journalism

Please take a moment to consider this. Now, more than ever, people are reading Geller Report for news they won't get anywhere else. But advertising revenues have all but disappeared. Google Adsense is the online advertising monopoly and they have banned us. Social media giants like Facebook and Twitter have blocked and shadow-banned our accounts. But we won't put up a paywall. Because never has the free world needed independent journalism more.

Everyone who reads our reporting knows the Geller Report covers the news the media won't. We cannot do our ground-breaking report without your support. We must continue to report on the global jihad and the left's war on freedom. Our readers’ contributions make that possible.

Geller Report's independent, investigative journalism takes a lot of time, money and hard work to produce. But we do it because we believe our work is critical in the fight for freedom and because it is your fight, too.

Please contribute to our ground-breaking work here.

Make a monthly commitment to support The Geller Report – choose the option that suits you best.

Contribute Monthly - Choose One

Have a tip we should know? Your anonymity is NEVER compromised. Email

Pin It on Pinterest