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Pamela Geller, Lede Article American Thinker
New York Times Declares Victory in Feminism’s War on Love and Romance

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I am particularly passionate about this piece in the American Thinker — "men-hating parasites have ruined the glorious exaltation of women in 20th-century America."

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New York Times Declares Victory in Feminism's War on Love and Romance
Pamela Geller

The New York Times, the cultural beacon for the left's war on American values, has declared that the "date" is dead.

Dinner
at a romantic new bistro? Forget it. Women in their 20s these days are
lucky to get a last-minute text to tag along………"I don't like to
take girls out. I like to have them join in on what I'm doing – going to
an event, a concert."

What
did they expect?  Why should men date? Why would they make any effort
at all? The feminists turned all women into unpaid whores because it's
so, ya know, cool and liberating. Yeah, being a piece of meat is
fabtastic.

I
am so glad I am not a young woman in America in 2013. If you are not a
slut, any real social life is tough. Men expect serious and strange sex
immediately. If you are one of the few, brave women who believe that sex
without love is a meaningless, soul-robbing experience, you are mighty
lonely.

And
I do not blame men. Men's behavior is a merely a reflection of
society's expectations and the culture. Men are what women demand that
they be. And today there are no expectations. The Oxygen Network
is premiering a television show about Atlanta rapper Shawty Lo and his
11 children with 10 different women, "All My Babies' Mamas." It joins
"Teen Mom," "Weeds" (a suburban mom who doubles as a drug pusher), "Game of Thrones"
(an HBO mini series that features anal rape beheadings, grotesque
violence and all women as whores – a 15 year old boy's wet dream),
"Californication," and the degrading HBO series, "Girls," a post Sex and
the City reality based series starring daughters of the lucky sperm and
egg club (well known Hollywood limo liberals). It stars, among others,
the daughter of "NBC Nightly News" anchor Brian Williams, Allison
Williams; and Zosia Mamet, daughter of the playwright and director David
Mamet. "Girls" creator Lena Dunham "is definitely not stressed about getting naked."

Lena
Dunham's character Hannah's boyfriend treats her mostly like an object
and an inconvenience. During one sex scene, he tells her to play "the
quiet game" and taunts her, refusing to say if he's wearing a condom. In
another episode, a character is treated to some very aggressive
degrading talk. In a New York Times article, "the Bleaker Sex,"
Frank Bruni laments, "You watch these scenes and other examples of the
zeitgeist-y, early-20s heroines of 'Girls' engaging in, recoiling from,
mulling and mourning sex, and you think: Gloria Steinem went to the
barricades for this?"

The New York Times paints this ugly picture:

For
evidence, look no further than "Girls," HBO's cultural weather vane for
urban 20-somethings, where none of the main characters paired off in a
manner that might count as courtship even a decade ago. In Sunday's
opener for Season 2, Hannah (Lena Dunham) and Adam (Adam Driver), who
last season forged a relationship by texting each other nude photos, are
shown lying in bed, debating whether being each other's "main hang"
constitutes actual dating.

The
actors in the show seem to fare no better in real life, judging by a
monologue by Zosia Mamet (who plays Shoshanna, the show's token virgin,
since deflowered) at a benefit last fall at Joe's Pub in the East
Village. Bemoaning an anything-goes dating culture, Ms. Mamet, 24,
recalled an encounter with a boyfriend whose idea of a date was lounging
in a hotel room while he "Lewis
and Clarked" her body, then tried to stick her father, the playwright
David Mamet, with the bill, according to a Huffington Post report.

The
problem is that "Girls" is an accurate depiction of what it's like to
be a young woman today. Ask any young woman. What a horrible future the
feminists have fixed for our girls. Could a concerted misogynist
movement have done a better job of destroying the potential for happiness?

Dunham says of all the "bad sex" going on:

"Well,
the bad sex in Sex and the City was sort of like, "It was so bad he
left his socks on." Our sex is like "It was really bad because we're not
emotionally connected and he doesn't want to be here and I'm scared and
alone."  There are people, obviously, making ridiculous, fumbling
sexual moves but the badness is sort of coming more from just a place of
being unformed people trying to connect rather than like someone
committing a specific sexual faux pas, if that distinction makes sense."

I'm interested in hearing, "I f*****d this guy and it was a disaster," because that's what's funny to me. 

What
a sad commentary for young women in America. And yet the Foreign Press
Association gave Dunham and the "Girls" series two Golden Globes for
this unhappy, empty trash.

Readers of my website, AtlasShrugs.com, know Lena Dunham as the Obama celebrity who did a TV ad
discussing how having sex for the first time and voting for Barack
Obama for president are the same thing and "how young women don't want
to be accused of either being virgins or of having passed up on their
chance to cast their votes for Obama."

It's
overwhelming depressing these poisonous fruits of "women's liberation."
The epidemic of single motherhood, the breakdown of the American
family, the street vernacular of "bitches and hos," the emasculation of
men, the bone-crushing responsibility of one woman being mother, father,
breadwinner, chief cook and bottle washer we owe to the feminists.

The
destroyers have been at war against American values for forty years,
and they have succeeded. Women have been diminished and dehumanized, all
under the guise of "liberation" and "feminism." The art of propaganda.

The
family is the basic building block of any successful society. Children
born out of wedlock are more likely to struggle in school or suffer
emotional and behavioral problems. Yet today, over fifty percent of
births in this country to women under thirty are outside marriage. And
an astronomical forty percent of women are not married when they have
children. The Daily Mail reported
last year that "the data shows the fastest growth in the past 20 years
is among white women in their 20s with some college education but no
four-year degree. And with two-thirds of children in the U.S. born to
mothers under the age of 30, it appears the majority of births across
the country are out of wedlock."

In the documentary, Oral Sex Is the New Goodnight Kiss,
Sharlene Azam, a Canadian filmmaker, says, "If you talk to teens [about
oral sex], they'll tell you it's not a big deal. In fact, they don't
consider it sex. They don't consider a lot of things sex." In the
documentary, teenage girls talk casually about their sexual experiences
and even their forays into prostitution. One girl sums up the new
attitudes: "Five minutes and I got $100. If I'm going to sleep with them
anyway because they're good-looking, might as well get paid for it,
right?"

This
is how the phony feminist movement empowered women. More like
enslaved women. Those men-hating parasites have ruined the glorious
exaltation of women in 20th-century America. I know. I grew up in it.
All one has to do is watch movies from the twenties, thirties, forties,
fifties, and sixties (before the left's culture rout) to catch a glimpse
of the status of women and see the seismic change in the dynamic
between women and men. In those films, women were treated with respect
and equality. We were then formidable, respected, treasured, and above
all…revered. It was as good as it gets. Relationships had
depth and were serious stuff. Look at today's films. There is no dynamic
between the sexes. It's two people playing with sex toys.

The
Femarxist movement uses "equalization" as a means of empowering
castration by the female at the top while emasculating males at the
bottom.

But
this is no surprise, of course. A breakdown of sexual mores and a
flouting of convention is part and parcel of the agenda in every society
to which socialism has come.

There's a whole more. Go.

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