Saturday Night Cinema: The Little Foxes (1941)

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Saturday Night Cinema is on fire lately, if I do say so myself. It's a winning streak that I will work feverishly to maintain. And tonight I do not disappoint. My feature film this evening is The Little Foxes, starring the brilliant and cruel Bette Davis. The fox that bit her died, and Davis triumphs as the film's immoral matriarch. The Little Foxes is full of evil:

…..the test of the picture is the effectiveness with which it exposes a family of evil people poisoning everything they touch. And this it does spectacularly.

NY TIMES review: The Little Foxes (1941)  By Bosley Crowther  Published: August 22, 1941

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Lillian Hellman's grim and malignant melodrama, "The Little Foxes," which had the National Theatre's stage running knee-deep in gall and wormwood the season before last, has now been translated to the screen with all its original viciousness intact and with such extra-added virulence as the relentless camera of Director William Wyler and the tensile acting of Bette Davis could impart. As presented at the Music Hall yesterday, under the trade-mark of Samuel Goldwyn, "The Little Foxes" leaps to the front as the most bitingly sinister picture of the year and as one of the most cruelly realistic character studies yet shown on the screen.

No one who saw the play need be reminded that Miss Hellman was dipping acid straight when she penned this fearful fable of second-generation carpet-baggers in a small Southern town around 1900. Henrik Ibsen and William Faulkner could not together have designed a more morbid account of inter-family treachery and revoltingly ugly greed than was contained in Miss Hellman's purple drama of deadly intrigue in the Hubbard clan. And with a perfect knowledge of the camera's flexibility, the author and Mr. Wyler have derived out of the play a taut and cumulative screen story which exhales the creepy odor of decay and freezes charitable blood with the deliberation of a Frigidaire.

Frankly, there is nothing pretty nor inspiring about this almost fustian tale of Regina Giddens's foxiness in planting figurative knives in her own deceitful brothers' backs, of her callous neglect of her good husband when he is dying of a heart attack, all because she wants to grab the bulk of the family's rising fortune for herself. The whole suspense of the picture lies in the question of who's going to sink the last knife. Even the final elopement of Regina's appalled daughter, for whom the film conveniently provides a nice romance, adds little more than a touch of leavening irony. Regina is too hard a woman to mourn much for anything.

Thus the test of the picture is the effectiveness with which it exposes a family of evil people poisoning everything they touch. And this it does spectacularly. Mr. Wyler, with the aid of Gregg Toland, has used the camera to sweep in the myriad small details of a mauve decadent household and the more indicative facets of the many characters. The focus is sharp, the texture of the images hard and realistic. Individual scenes are extraordinarily vivid and compelling, such as that in which the Hubbard brothers plot a way to outdo their sister, or the almost unbearable scene in which Regina permits her husband to struggle un-assisted with death. Only when Mr. Wyler plays obvious tricks with mirrors does a bit of pretension creep in.

And Miss Davis's performance in the role which Talluluh Bankhead played so brassily on the stage is abundant with color and mood. True, she does occasionally drop an unmistakable imitation of her predecessor; she performs queer contortions with her arms like a nautch-dancer in a Hindu temple, and generally she comports herself as though she were balancing an Academy "Oscar" on her high-coiffed head. But the role calls for heavy theatrics; it is just a cut above ten-twent'-thirt'. Miss Davis is all right.

Better than that, however, are the other members of the cast. Charles Dingle as Brother Ben Hubbard, the oldest and sharpest of the rattlesnake clan, is the perfect villain in respectable garb. Carl Benton Reid as Brother Oscar is magnificently dark, sullen and undependable. Patricia Collinge repeats her excellent stage performance as the faded flower of the Old South who tips the jug. Teresa Wright is fragile and pathetic as the harassed daughter of Regina. Dan Duryea is a shade too ungainly as Oscar's chicken-livered son, and Herbert Marshall is surprisingly British for a Southerner born and bred, hut both fill difficult roles well.

"The Little Foxes" will not increase your admiration for mankind. It is cold and cynical. But it is a very exciting picture to watch in a comfortably objective way, especially if you enjoy expert stabbing-in-the-back.

THE LITTLE FOXES; screen play by Lillian Hellman from the play by Miss Hellman; additional dialogue by Arthur Kober, Dorothy Parker and Alan Campbell; directed by William Wyler; produced by Samuel Goldwyn and released through RKO-Radio Pictures. At the Radio City Music Hall.
Regina Giddens . . . . . Bette Davis
Horace Giddens . . . . . Herbert Marshall
Alexandra Giddens . . . . . Teresa Wright
David Hewitt . . . . . Richard Carlson
Birdie Hubbard . . . . . Patricia Collinge
Leo Hubbard . . . . . Dan Duryea
Ben Hubbard . . . . . Charles Dingle
Oscar Hubbard . . . . . Carl Benton Reid
Addie . . . . . Jessie Grayson
Cal . . . . . John Marriott
William Marshall . . . . . Russell Hicks
Manders . . . . . Lucien Littlefield
Mrs. Hewitt . . . . . Virginia Brissac
Julia . . . . . Terry Nibert
Hotel Manager . . . . . Alan Bridge
Simon . . . . . Charles R. Moore

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MA02169
MA02169
11 years ago

Let’s yuk it up a bit! OK?
++++++++++++++++++++++++++++
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And the number one thing that a man should never, ever say out loud in Victoria’s Secret:
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+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
Two Polish guys were taking their first train trip. A vendor came down the corridor selling bananas which they’d never seen before. Each bought one.
The first one eagerly peeled the banana and bit into it just as the train went into a tunnel. When the train emerged from the tunnel, he looked across to his friend and said, “I wouldn’t eat that if I were you.”
“Why not?”
“I took one bite and went blind for half a minute.”
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
A little girl was in church with her mother when she started feeling ill. “Mommy,” she said, “can we leave now?”
“No” her mother replied.
“Well, I think I’m gonna be sick, Momma!”
“Then go out the front door and around to the back of the church and then behind a bush.”
After about 60 seconds the little girl returned to her seat.
“Were you sick?” her mom asked.
“Yes.”
“How could you have gone all the way to the back of the church and returned so quickly?”
“I didn’t have to go out of the church, Mommy. They have a box next to the front door that says, ‘For the Sick’.”
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
A guy goes into a restaurant/lounge wearing a shirt open at the collar and is met by a bouncer who tells him he must wear a necktie to gain admission. So the guy goes out to his car and he looks around for a necktie and discovers that he just doesn’t have one. He sees a set of jumper cables in his trunk. In desperation he ties these around his neck, manages to fashion a fairly acceptable looking knot and lets the ends dangle free. He goes back to the restaurant and the bouncer carefully looks him over for a few minutes and then says, “Well, OK, I guess you can come in – just don’t start anything.”
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
A gorilla walks into a bar and orders a cold one. The bartender gives it to him and says, “That’ll be $25.” A minute later making conversation the bartender says “We don’t get many gorillas round these parts” The gorilla replies “I’m not surprised at those prices.”
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
There once was a king who was loved by all of his subjects, especially because of the hunting excursions he arranged and shared with them. As will happen, the king died and his eldest son took the throne. Now this new king was an animal lover to the core, and immediately outlawed all forms of hunting and fishing. His subjects accepted this for only a short time before they finally ousted him. This was a truly a significant event because it’s the first time a reign was ever called on account of game.
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Some men in a pickup truck drove into a lumberyard. One of the men walked in the office and said, “We need some four-by-twos.”
The clerk said, “You mean two-by-fours, don’t you?”
The man said, “I’ll go check,” and went back to the truck. He returned in a minute and said, “Yeah, I meant two-by-fours.”
“Alright. How long do you need them?”
The customer paused for a minute and said, “I’d better go check.” After awhile, the customer returned to the office and said, “A long time. We’re gonna build a house.”
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
A crusty old man walks into a bank and says to the teller at the window, “I want to open a damn checking account.”
To which the astonished woman replies, “I beg your pardon, sir; I must have misunderstood you. What did you say?”
“Listen up, damn it. I said I want to open a damn checking account, right now!”
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They both return and the manager asks the old geezer, “What seems to be the problem here?”
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++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
Dashing through the snow
In a one horse open sleigh
O’er the fields we go
Laughing all the way
Bells on bob tails ring
Making spirits bright
What fun it is to laugh and sing
A sleighing song tonight
Oh, jingle bells, jingle bells
Jingle all the way
Oh, what fun it is to ride
In a one horse open sleigh
Jingle bells, jingle bells
Jingle all the way
Oh, what fun it is to ride
In a one horse open sleigh

ahem
ahem
11 years ago

This is a great movie. It’s really a shanme that Bette Davis is kind of out of fashion; she was a great actress–bigger than the screen. I watch TCM a lot, and it’s only been recently that they’ve started featuring her films again.
Davis is the greatest; there’ll never be another actress like her. She can act Streep under the table.

mzungu
mzungu
11 years ago

I was as fascinated by the furniture, ways of life, and architecture as I was about the plot. Great stuff. I loved how Alexandra drove a nail into her evil heart and took away her confidence. The look on Regina was that if the movie was longer no doubt she would have tried to murder Alexandra.

poetcomic1
poetcomic1
11 years ago

The stairs are a central character in this film. They are constantly used by director Wyler to compose endlessly fascinating shots that convey a range of emotional and power relations. The link between the private hell of a bad marriage above and the public world of dinner parties and business and social life. It is no coincidence he dies on the stairs between the two worlds.

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Thanks for sharing!