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[ February 20, 2020 ]

Mark Levin: Bernie Sanders has “an Islamo-Nazi mentality” and “hates America”

[ February 20, 2020 ]

Bernie Sanders’ Surrogate Amer Zahr’s ‘Israel-ISIS’ Tweet

[ February 19, 2020 ]

WATCH: Awesome moment from the Trump rally in Phoenix

[ February 19, 2020 ]

Muslim child rape/sex trafficking gang Grooming gang jailed for ‘systematic’ sexual abuse of Huddersfield schoolgirls

[ February 19, 2020 ]

Arabic is first language in six of nine preschools in iconic Swedish town

[ February 19, 2020 ]

Latino Support for Trump Is Real And that’s a problem for Democrats

[ February 19, 2020 ]

Crazy Bernie’s Middle East Nightmare: US Must Support Genocidal Terrorist Groups and World’s Largest State...

[ February 19, 2020 ]

Hillary Fingerprints All Over FBI’s Investigation Into Trump’s Russia Ties

[ February 19, 2020 ]

Groups camping outside coliseum more than a day before Trump rally in Phoenix

[ February 19, 2020 ]

A Ballot-Initiative to Move Some Eastern Oregon Counties to Idaho Is Actually Gaining Some Traction

Saturday Night Cinema
D.O.A.

If you jones for film noir as I most certainly do, here is a classic. D.O.A, starring Edmund O’Brien

"I want to commit a murder"
"Who was murdered?"

""I was"

DOA (med code for dead on arrival), directed by Rudolph Maté, is  frantically paced drama about the  doomed man’s quest to find out poisoned him – and why – before he dies. The film begins with a scene called "perhaps one of cinema’s most innovative opening sequences" by a BBC reviewer. The scene is a long, behind-the-back tracking sequence featuring Frank Bigelow (O’Brien) walking through a hallway into a police station to report a murder: his own. Disconcertingly, the police almost seem to have been expecting him and already know who he is. ( More here)



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