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[ November 13, 2019 ]

‘I MEANT IT’: Don Cherry won’t back down after he’s fired over immigration comment

[ November 13, 2019 ]

Ukrainian Officials Release Records Showing 46 Payments to Hunter Biden Totaling Over $3.1 Million

[ November 13, 2019 ]

Jihad-Rep. Ilhan Omar Abuses, Offends Republican Pete King’s Retirement: ‘Islamophobe… Good Riddance’

[ November 13, 2019 ]

Schiff Threatens Republicans: Don’t Criticize the Whistleblower During Public Impeachment Hearings or Else

[ November 13, 2019 ]

CORRUPT Schiff won’t let Republican list of witnesses testify in impeachment hearing after the Intelligence...

[ November 13, 2019 ]

WATCH: Rocket Hit Israel: Israel Under Rocket Attack After IDF Assassinates Major Terror Leader in...

[ November 12, 2019 ]

In landmark ruling, EU’s top court says Jewish settlement product labeling mandatory

[ November 12, 2019 ]

Yale University shocker: 29.5 million illegal immigrants, 3X higher than Census number

[ November 12, 2019 ]

Self-loathing Jew Bernie Sanders says his plan to fight antisemitism is to ‘do exactly the...

[ November 12, 2019 ]

Joe diGenova compares whistleblower Eric Ciaramella to Lincoln assassin: “This is a political assassination. This...

Saturday Night Cinema
D.O.A.

If you jones for film noir as I most certainly do, here is a classic. D.O.A, starring Edmund O’Brien

"I want to commit a murder"
"Who was murdered?"

""I was"

DOA (med code for dead on arrival), directed by Rudolph Maté, is  frantically paced drama about the  doomed man’s quest to find out poisoned him – and why – before he dies. The film begins with a scene called "perhaps one of cinema’s most innovative opening sequences" by a BBC reviewer. The scene is a long, behind-the-back tracking sequence featuring Frank Bigelow (O’Brien) walking through a hallway into a police station to report a murder: his own. Disconcertingly, the police almost seem to have been expecting him and already know who he is. ( More here)



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